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A Glossary for The Fundamentals

Including a glossaryfor a fantasy or science fiction epic is standard practice. Tucked away at the end of a book, they are useful references if you have set a book aside for a while and need to re-familiarize yourself with the language and culture of a story.

The first time I read the Lord of the Rings, it was a massive hard-bound copy I checked out from the Public Library. It included all three books, a biography of Tolkien and a glossary that rivaled the Silmarillion. I had a special bookmark for the glossary, and often lost myself tracing entries while assembling Middle Earth in my head.

Another epic that included a glossary at end of each book was The Wheel of Time. Here, though, the glossary tried to contain itself to the book at hand. Occasionally there was a term I was unfamiliar with, if it was not in the current book’s glossary, I would have to dig out an older book to find it, or read on, hoping the story would remind of the term's meaning.

Hile Troy! The Illearth War

Hile Troy! Just kidding. Hile Troy, the character introduced in Stephen R. Donaldson’s The Illearth War is one of my favorite fantasy fiction characters. Sure, the name helps, but it’s his story arc that fascinates me.

Hile Troy, like Covenant, is summoned to the Land through the same magic that started the story. But his arrival was a mistake. Atiaran, (the woman that led Covenant to Revelstone in Lord Foul’s Bane) in an act of despair, attempted to call Covenenat to the Land. Whether to get revenge for the rape of her daughter, or to save the Land is unclear because she is consumed by the power of the summoning.

The Lords of Revelstone, being Lords, do not share these facts with Hile Troy, a blind man. Like Covenant, Troy was damaged before his arrival to the Land. He was born blind. When hurtloam, the magic healing mud of the Land, cures Troy of his blindness, he follows a different path than Covenant. He chooses to save the Land from Lord Foul.

Lord Foul's Bane

I come to this review in a crisis. While chasing my dream of writing science fiction, I forgot my age. Stephen R. Donaldson's Chronicles of Thomas Covenant lit my desire to write. I found Lord Foul's Bane in the school library, a paperback fantasy on a shelf full of dusty, hard-covered tombs. Lord Foul's Bane entered my world at another crisis point; high school. The story of a man rejected by his world was the life of every thin high school nerd in the early eighties.

I devoured The Chronicles of Thomas Covenant. Donaldson's writing was a revelation. He ignored that tired advice of the simple word is better. Lord Foul's Bane forced me to read with a dictionary nearby. I loved it. With every beat of a sentence I thought to myself, I want to write like this.

I tried, but divorce and households emptied of joy marred my transition from childhood to independence. A journey made more difficult by parents that were unable or unwilling to help. American culture is fertile ground for such stories. My story spans thirty years before I sat down to finish my fist science fiction novel.

Lord Mhoram's Victory and The Power that Preserves

A few dramatic scenes are etched onto the consciousness of the collected public. From cinema there is Indiana Jones running from a boulder only to land at the feet of his rival, or Lawrence crossing a desert on a camel. From television there is the intro to MASH, or Kramer entering Seinfeld’s apartment. “Neuman!” From literature there is the white whale sinking the Pequod, or Gandalf standing on the Bridge of Khazad-dum declaring that the Balrog “shall not pass!”

When I took a date to The Lord of the Rings movie, I discovered that last one was not yet etched into everyone’s consciousness. For my generation, Gandalf, Frodo, and Samwise were reserved for the nerds. So, when I said, “you shall not pass,” to someone who cut me off at the snack line, she didn’t get it. When I whispered, “Balrog” at the beginning of the most dramatic scene in The Lord of the Rings, she was clueless. But when we left the movie, and I was opening her car door, she raised her hands as if holding a staff and exclaimed, “You shall not pass!”

Another dramatic scene etched into the collective nerd brain of my generation is the most dramatic, most heroic, chapter of my childhood: Lord Mhoram’s Victory.

The Nature of Evil, or The Wounded Land

What is Evil? Does it exist? When you speak about the world, do you define an act, a person, or a group as evil? I have called Donald Trump Lord Foul since the 2016 Republican National Convention, by association am I calling him evil? If evil does not exist, then what is that quality we identify as evil? Is evil a treatable sickness, disease, or mental condition? The question of evil is a foundation for good fiction. Science fiction and fantasy fiction settings provide a rich playground to study the question. Is a race of mammals that eats other mammals evil? Orc eats human, human eats pig; evil depends on your perspective.

The Wounded Land, the first book in The Second Chronicles of Thomas Covenant, introduces Linden Avery. She is the most tortured of Stephen R. Donaldson's characters. As a doctor, she has a certain self-assurance that no matter what situation, what disease, or injury she encounters, she has the training and the equipment to treat her patient. Short of those things, she relies on the institutions she belongs to for support. Then she meets a beggar in the driveway to Haven Farm.

Like Covenant before her, the creator of the Land tests Linden Avery. The beggar dies, his heart stops, and Linden does what she is trained to do; she tries to save his life. His breath is foul making CPR a disgusting process, but she does not relent. She cannot go for help, she struggles to the save the beggar, and she fails; her strength fades and she collapses. When she looks up the beggar is standing, he helps her to her feet, hugs her, and vanishes into the sunset.

Copyright Troy Williams & The Walking Circle LLC